I have been both a lawyer and a painter for more than 40 years. I was born and raised in New York City and have lived most of my adult life in Tokyo, Japan, where I am a partner in the Tozai Sogo Law Office.  I paint with acrylic paints only, although I learned how to paint (at the School of Visual Arts in NYC) with oil paints. My subject matter is portraits, cityscapes, still lifes, and abstract paintings. I am primarily a portrait painter and have done portrait and cityscape commissions for decades.

Introduction

I started studying art in high school, at Forest Hills High School in Queens, which had a very strong commercial and fine arts curriculum (Judith Bloom and Charles Gellis were my primary teachers there.)  During high school,  college and law school, I studied at the Art Students’ League in NYC, taking both drawing and painting classes with Gregory D’Allesio and Harvey Dinnerstein.  In college (Columbia in NYC) I studied studio art with two then prominent artists, Jane Wilson and Andre Racz.  After completing law school and while working as a lawyer, I took painting classes at the School of Visual Arts in NYC. Aside from this formal training, I have painted a lot over the past 40 years.

Art Education

I have shown my work at various group shows including at the Tokyo Metropolitan Museum, The Jewish Community Centre of Japan and other venues. 

Shows

Art should be beautiful and technically sound. There should be as little written description of the work as possible. The better it is, the less need be said. You need plenty of explanation to appreciate a Cy Twombly painting but you need no commentary to “get” a Rembrandt. 

Philosophy of Art

I love Freud, Sargent, Velasquez, Manet, Hals, Kline, deKooning, Fischl, Andrew Wyeth and others, all of whom embody the above philosophy. My work method is simple – I work on a portable easel, usually partly on site with portraits or cityscapes and then finish up the paintings with photos at home. I do preliminary drawings using grids, and do rough paint sketches to get a sense of the light, organization and coloring. For the final work, I use a colored gesso surface, then do a monochromatic rough painted “sketch” to establish lights and darks. Then I simply color the whole thing in. A painting usually takes from 20-60 sessions (2-4 months) to complete. I keep working to shorten this time period.

Artists/Work Method

If there’s anything posted on this site that you’d like to buy, use the contact form to connect with me.   Happy to undertake commission for portraits or cityscapes. This isn’t primarily a commercial site, but I am always happy to sell.

Sales

Peter M. Nadler, Tokyo, Japan 2024

Self Portrait (2024)

Tokyo Street Scene (2021)